In Laura’s
British Literature Before 1800 class, we’ve just transitioned from the Romantic
to the Victorian Era. One of the first pieces she is having us read is the
Norton’s selection of Elizabeth Barrett Browning’s verse poem “Aurora Leigh”.
As a whole, “Aurora Leigh” is read as an emblem of Victorianism, which is most
likely why Laura is having us read it to start off the unit.
The verse poem
is a bildungsroman, illustrating the
development of the young poetess Aurora Leigh. In Book 5 of the verse poem,
Aurora digresses on the topic of “Poets and the Present Age”, wherein Aurora claims
poets should concern themselves with subjects of the Present Age. She also
makes the following claim about the poet’s vision:
But poets should
Exert a double
vision; should have eyes
To see near
things as comprehensively
As if afar they
took their point of sight,
And distant
things as intimately deep
As if they
touched them.
(Norton Anthology of
English Literature 1151)
Perhaps I’m
mistaken, but Aurora Leigh’s conception of the poet seems fairly Romantic. It
seems not too far removed from Coleridge’s “transparent eyeball”, or Emerson’s “imaginative
seer as liberating us from ordinary life” (Theory and Criticism 615). What
then do we do with those claims that “Aurora Leigh” is emblematic of the
Victorian Age?
Yeah, you're right. It is another rendition of Emerson's eye ball. I do like her use of the conditional mode, though.
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